The Best Apple Peaches Pumpkin Pie For You
Well I'm one step behind you, but still I can't find you. Apple peaches pumpkin pie, You were young and so was I. Now that we've grown up it seems You just keep ignoring me. [Chorus] I'll find you anywhere you go, I'll follow you high and low. You can't escape this love of mine anytime. Well, I'll sneak up behind you, Be careful where I find.
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Jay & The Techniques Apples, Peaches, Pumpkin Pie (1967, Vinyl) Discogs
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Explore the tracklist, credits, statistics, and more for Apples, Peaches, Pumpkin Pie by Jay & The Techniques. Compare versions and buy on Discogs
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Apples, Peaches, Pumpkin Pie Review by Al Campbell. Apples, Peaches, Pumpkin Pie contains 14 tracks from the Philly soul band Jay & the Techniques originally recorded for the Smash label in the mid- to late '60s. Highlights include "Baby Make Your Own Sweet Music," "Contact," "Who Do You Love," and their only Top Ten hit from 1967, "Apples.
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0:00 / 2:28 Apples, Peaches, Pumpkin Pie Jay & the Techniques - Topic 1K subscribers 44K views 5 years ago Provided to YouTube by Universal Music Group Apples, Peaches, Pumpkin Pie ยท Jay &.
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"Apples, Peaches, Pumpkin Pie" is a 1967 song written by Maurice Irby, Jr., produced by Jerry Ross, arranged by Joe Renzetti and performed by Jay & the Techniques on their 1968 album of the same name.
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[1] Career The band was best known for their debut single, "Apples, Peaches, Pumpkin Pie", which was released in 1967 and reached No. 6 in the Billboard Hot 100 chart. The track was arranged by Joe Renzetti, and written by Maurice Irby, Jr. It sold over one million copies, and was awarded a gold disc. [2]
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Apples, Peaches, Pumpkin Pie Jay & The Techniques SOUL ยท 1967 Preview 1 Contact 2:41 2 Been So Long (Since I Loved You) 2:07 3 Apples, Peaches, Pumpkin Pie 2:28 4 The Power Of Love 3:05 5 Victory! 2:26 6 Ain't No Soul (Left In These Old Shoes) 2:07 7 Hey Diddle Diddle 2:39 8 Lovin' For Money 3:05 9 Here We Go Again 2:41 10 Stronger Than Dirt 3:01
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Ross had offered Hebb a song called "Apples, Peaches, Pumpkin Pie" as a follow-up to his smash "Sunny," but Hebb refused it and Ross gave it to his new group instead. "Actually, several people and groups had tried recording the song โ I think even Jerry Butler," Proctor said.
Apples, Peaches, Pumpkin Pie Sheet Music Jay & The Techniques Piano, Vocal & Guitar Chords
1 large egg, beaten 1/2 cup of granulated sugar 1/3 cup of all-purpose flour 1/4 teaspoon of ground ginger 1/8 teaspoon of ground nutmeg One 9 inches pre-baked pie crust 1/2 teaspoon of ground cinnamon 1/4 cup of packed light brown sugar 1/2 cup of finely chopped peeled peaches 1 cup of pumpkin puree (not pumpkin pie filling)
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Apples, Peaches, Pumpkin Pie Jay & the Techniques - Topic The Association - Windy - 1967 Chairmen Of The Board "Give Me Just A Little More Time" My Extended Version! I Really Love You The Four.
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0:00 / 0:00 Provided to YouTube by Universal Music Group Apples, Peaches, Pumpkin Pie ยท Jay & The Techniques Best Of Jay And The Techniques โ 1967 The Island Def Jam.
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Provided to YouTube by Universal Music GroupApples, Peaches, Pumpkin Pie ยท Jay & The TechniquesApples, Peaches, Pumpkin Pieโ A Mercury Records Release; โ 196.
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" Apples, Peaches, Pumpkin Pie " is a 1967 song written by Maurice Irby, Jr., produced by Jerry Ross, arranged by Joe Renzetti and performed by Jay & the Techniques on their 1968 album of the same name. [1] [2] Background Bobby Hebb was originally offered "Apples, Peaches, Pumpkin Pie", but rejected it due to its novelty sound.
The Best Apple Peaches Pumpkin Pie For You
Apple peaches pumpkin pie, You were young and so was I. Now that we've grown up it seems You just keep ignoring me. I'll find you anywhere you go, I'll follow you high and low. You can't escape this love of mine anytime. Well, I'll sneak up behind you, Be careful where I find you. Apple peaches pumpkin pie, Soon your love will be all mine.
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Apples, Peaches, Pumpkin Pie Discogs
The lyrics of "Apples; Peaches; Pumpkin Pie" primarily revolve around a person's infatuation with someone they can't resist. The repetitive nature of the melody reinforces this sense of obsession, as if the person is unable to get their love interest out of their mind.